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Duration: 609 sec. | Nudity: yes | Creator: Ruffah |
New Filesize: N/A | Sound: yes | Old Filesize: 460 mb |
File Format: AOMedia Video 1 (WebM/AV1) | Resolution: 1440x1050 | Added: 2019-Jan-13 |
Alternate Names: Bernadette La Font, Bernadette Paule Anne Lafont
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Bernadette Lafont was a French actress born on October 28, 1938 and passed away on July 25, 2013. Known as one of the muses of the New Wave movement, she gained popularity through her roles in 'Les Mistons' (1957), 'Les Bonnes Femmes' (1960), 'La Fiancée du pirate' (1969), and 'La Maman et la Putain' (1973).
Alternate Names: Francoise Lebrun, François Lebrun
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Françoise Lebrun, a French actress, is known for her role in 'La maman et la putain' (1973). The film revolves around Alexandre, an unemployed man, who tries to reconcile with his former lover Gilberte but instead meets Veronika, played by Lebrun. Veronika is a promiscuous nurse involved in a ménage à trois with Alexandre and his girlfriend Marie. The film explores themes of love, jealousy, and societal norms during the sexual revolution.
Release Year: 1973
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Alternative Title: A Mãe e a Puta, Moderen og luderen, Äiti ja huora, I mama kai i poutana, A mama és a kurva, Mama to Shôfu, Mammaen og horen, Mama i dziwka, Мамочка и шлюха, Mamman och horan, The Mother and the Whore, La madre y la ramera, Die Mama und die Hure
Director: Jean Eustache
Writer: Jean Eustache
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Genre: Comedy Film, Drama, Romance
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In Paris, Alexandre, an unemployed young man with memories of the May 1968 events in France, attempts to persuade his former lover Gilberte to marry him but she refuses. Alexandre lives with his girlfriend Marie and has casual relationships. He meets Veronika, a promiscuous Polish French nurse, at Les Deux Magots café after failing to reconcile with Gilberte. Back at Alexandre's apartment, Marie lets Veronika in while they are nude in bed. Veronika insults them but also admits she is not pure herself. The three begin a ménage à trois, with Veronika assuring both Alexandre and Marie of her love for him. Despite Marie initially expressing indifference to Alexandre's affairs, she grows distant as his relationship with Veronika deepens. As the trio sits together, Veronika tries to reassure Marie about her appearance and expresses her beliefs that no women are truly whores and love is meaningless without producing a child.
La maman et la putain (1973), directed by Jean Eustache, is a French film set against the backdrop of Parisian life in the early 1970s. The story revolves around Alexandre, an unemployed young man who unsuccessfully tries to rekindle his relationship with Gilberte while living with his girlfriend Marie and engaging in casual affairs. Upon meeting Veronika, a sexually liberated nurse, the three begin an unconventional living arrangement. The film explores themes of love, jealousy, and sexual freedom amidst societal changes following the May 1968 events in France.